Carlos Saura

Carlos Saura

Directing

Born: 1932-01-04 in Huesca, Aragón, Spain

Biography

Carlos Saura Atarés (4 January 1932 – 10 February 2023) was a Spanish film director, photographer and writer. With Luis Buñuel and Pedro Almodóvar, he is considered to be among Spain's great filmmakers. He had a long and prolific career that spanned over half a century, and his films won many international awards. Saura began his career in 1955 making documentary shorts. He gained international prominence when his first feature-length film premiered at Cannes Film Festival in 1960. Although he started filming as a neorealist, Saura switched to films encoded with metaphors and symbolism in order to get around the Spanish censors. In 1966, he was thrust into the international spotlight when his film The Hunt won the Silver Bear at the Berlin International Film Festival. In the following years, he forged an international reputation for his cinematic treatment of emotional and spiritual responses to repressive political conditions. By the 1970s, Saura was the best known filmmaker working in Spain. His films employed complex narrative devices and were frequently controversial. He won Special Jury Awards for Cousin Angelica (1973) and Cría Cuervos (1975) in Cannes, and he received an Academy Award for Best Foreign Language Film nomination in 1979 for Mama Turns 100. In the 1980s, Saura was in the spotlight for his Flamenco trilogy – Blood Wedding, Carmen and El amor brujo, in which he combined dramatic content and flamenco dance forms. His work continued to be featured in worldwide competitions and earned numerous awards. He received two nominations for Academy Awards for Best Foreign Language Film for Carmen (1983) and Tango (1998). His films are sophisticated expression of time and space fusing reality with fantasy, past with present, and memory with hallucination. In the last two decades of the 20th century, Saura concentrated on works uniting music, dance and images.

Known For

Ciné regards

Ciné regards

Self

Les Rendez-vous du dimanche

Les Rendez-vous du dimanche

Self

Lo + plus

Lo + plus

Self - Guest

Goya, Carrière & the Ghost of Buñuel

Goya, Carrière & the Ghost of Buñuel

Self

Searching for Ingmar Bergman

Searching for Ingmar Bergman

Self - Filmmaker

The Kid in the Photo - Carlos Saura

The Kid in the Photo - Carlos Saura

Carlos Saura's FlamencoHoy

Carlos Saura's FlamencoHoy

Inszenierung

Pablo G. del Amo, un montador de ilusiones

Pablo G. del Amo, un montador de ilusiones

Self

The Walls Can Talk

The Walls Can Talk

Self

Portrait of Carlos Saura

Portrait of Carlos Saura

Self

Saura(s)

Saura(s)

Self

El proceso

El proceso

Matilde Coral, acariciando el aire

Matilde Coral, acariciando el aire

Carlos Saura

Speaking of Buñuel

Speaking of Buñuel

Self

Critic

Critic

Self

Miradas del cine español

Miradas del cine español

The Little Apartment

The Little Apartment

(uncredited)

Goyasaurio

Goyasaurio

Self

Aragón rodado

Aragón rodado

Self

Buñuel

Buñuel

Self

Navajeros, censores y nuevos realizadores

Navajeros, censores y nuevos realizadores

Self (archive footage)

Carlos Saura - Fotograf

Carlos Saura - Fotograf

Self

Les paradoxes de Buñuel

Les paradoxes de Buñuel

Self

Eduardo Ducay: el cine que siempre estuvo ahí

Eduardo Ducay: el cine que siempre estuvo ahí

Self

In the Lost City

In the Lost City

Self

Antonio Gades, la ética de la danza

Antonio Gades, la ética de la danza

Self

Tras Nazarin: Following Nazarin

Tras Nazarin: Following Nazarin

Self

Rafael Azcona

Rafael Azcona

Self

24 horas en la vida de Querejeta

24 horas en la vida de Querejeta

Self

Donde acaba la memoria

Donde acaba la memoria

Self