Mircea Diaconu

Mircea Diaconu

Acting

Born: 1949-12-24 in Vlădești, Argeș, Romania

Biography

Born in Vlădești, Argeș County, he graduated high school in Câmpulung in 1967 and Bucharest's Caragiale Academy of Theatrical Arts and Cinematography in 1971. He made his theatrical debut a year before graduating, at the Bulandra Theater, in Truman Capote's The Grass Harp. His screen debut came in Dan Pița's Nunta de piatră (1972); he would later appear in the same director's Filip cel Bun (1975). Other directors with whom he has worked include Alexandru Tatos (Mere roșii, 1975; Secvențe, 1982; and Secretul armei secrete, 1988), Virgil Calotescu (Buletin de București, 1982; and Căsătorie cu repetiție, 1985), Nae Caranfil (Asfalt Tango, 1996; and Filantropica, 2002) and Cătălin Mitulescu (The Way I Spent the End of the World, 2006). In all, he has appeared in more than sixty films. Diaconu worked with Lucian Pintilie both in film (the 1981 De ce trag clopotele, Mitică?) and in theater: Gogol's The Government Inspector at Bulandra, and Shakespeare's As You Like It at the Nottara Theater. Liviu Ciulei hired him at Bulandra in 1972, and he remained there for a decade, before moving on to Nottara. At Bulandra, he appeared in Twelfth Night and The Tempest, both under Ciulei's direction; and in Marin Sorescu's Răceala, directed by Dan Micu. At Nottara, he appeared in Alexander Ostrovsky's The Forest; Ultimul bal, after Liviu Rebreanu's Forest of the Hanged; and Mihai Ispirescu's Într-o dimineață. He became the director of Nottara Theater in 2004, working as such until his resignation in 2011.

Known For

No Poster

One-Day Adventures

Ticăloșii

Ticăloșii

Mircea Prejbeanu

A Smile Of The Sun

A Smile Of The Sun

Împăratul

Philanthropy

Philanthropy

Ovidiu Gorea

Kino Caravan

Kino Caravan

Tanasie

The Telephone

The Telephone

Radu

Dănilă Prepeleac

Dănilă Prepeleac

Dănilă Prepeleac

Love Sick

Love Sick

Mr. Dragnea

Horea

Horea

Candrea Alexa Kendy

Asphalt Tango

Asphalt Tango

Andrei

Operation 'The Bus'

Operation 'The Bus'

The Way I Spent the End of the World

The Way I Spent the End of the World

Grigore Matei

The House Between the Fields

The House Between the Fields

Ilarie

The Actress, the Dollars and the Transylvanians

The Actress, the Dollars and the Transylvanians

Romulus Brad

Poker

Poker

Calabrezu

Căruța cu mere

Căruța cu mere

Garofiță

A Light on the 10th Floor

A Light on the 10th Floor

zidarul Trică

Red Apples

Red Apples

Dr. Irod

Videograms of a Revolution

Videograms of a Revolution

himself (archive footage)

Happenings with Alexandra

Happenings with Alexandra

Toma Caragiu - Momente de aur

Toma Caragiu - Momente de aur

Bucharest Identity Card

Bucharest Identity Card

Radu Petrescu

Oil

Oil

Grigore

Repeated Wedding

Repeated Wedding

Radu Petrescu

A Tense August

A Tense August

The Computer Testifies

The Computer Testifies

V. Vișan

The Secret of the Secret Weapon

The Secret of the Secret Weapon

Zmeul Zmeilor

Promisses

Promisses

Petruș

Happy End

Happy End

This Above All

This Above All

The Prophet, the Gold, and the Transylvanians

The Prophet, the Gold, and the Transylvanians

Romulus Brad

The Stone Wedding

The Stone Wedding

dezertorul

Reach for the Sky

Reach for the Sky

Mircea

Shootings Under the Moonlight

Shootings Under the Moonlight

Sgt. Marin Văduva

The End of the Night

The End of the Night

Prosecutor Matei

The Poseidon Explosion

The Poseidon Explosion

Farewell, Dear Nela!

Farewell, Dear Nela!

Bibi

Poor Ioanide

Poor Ioanide

milițian

The Actor and the Savages

The Actor and the Savages

Radu Toma

The Oil, the Baby and the Transylvanians

The Oil, the Baby and the Transylvanians

Romulus Brad