Walter Murch

Walter Murch

Editing

Born: 1943-07-12 in New York City, New York, USA

Biography

Walter Scott Murch (born July 12, 1943) is an American film editor, director, writer and sound designer. His work includes THX 1138, Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, Ghost and The English Patient, with three Academy Award wins (from nine nominations: six for picture editing and three for sound mixing). For his work on Apocalypse Now, Murch was the first person to receive a credit as "Sound Designer." Murch was also the editor and re-recording mixer of Apocalypse Now Redux. In 1998, producer Rick Schmidlin chose Murch as his editor for the restoration of Orson Welles's Touch of Evil. Murch is the author of a popular book on film editing, In the Blink of an Eye, and is the subject of Michael Ondaatje's book The Conversations. Famed movie critic Roger Ebert called Murch "the most respected film editor and sound designer in the modern cinema." David Thomson calls Murch "the scholar, gentleman and superb craftsman of modern film", adding that in sound and editing, "he is now without a peer." Description above from the Wikipedia article Walter Murch, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Omnibus

Omnibus

Self

The Oscars

The Oscars

Self

78/52

78/52

Self

Magician: The Astonishing Life and Work of Orson Welles

Magician: The Astonishing Life and Work of Orson Welles

Self - Film and Sound Editor

Making Waves: The Art of Cinematic Sound

Making Waves: The Art of Cinematic Sound

Self

The Emperor

The Emperor

Self

Side by Side

Side by Side

Self

The Cutting Edge: The Magic of Movie Editing

The Cutting Edge: The Magic of Movie Editing

Self

Be Natural: The Untold Story of Alice Guy-Blaché

Be Natural: The Untold Story of Alice Guy-Blaché

Self

Fog City Mavericks

Fog City Mavericks

Self

The Godfather Family: A Look Inside

The Godfather Family: A Look Inside

Self

Coup 53

Coup 53

Self - Film Editor

The Making of 'American Graffiti'

The Making of 'American Graffiti'

Self

No Poster

Artifact from the Future: The Making of 'THX 1138'

Self

A Legacy of Filmmakers: The Early Years of American Zoetrope

A Legacy of Filmmakers: The Early Years of American Zoetrope

Self

George Lucas: Creating an Empire

George Lucas: Creating an Empire

Self

The Masterpiece That Almost Wasn't

The Masterpiece That Almost Wasn't

Self

Her Name Was Moviola

Her Name Was Moviola

Self

Sight & Sound: The Cinema of Walter Murch

Sight & Sound: The Cinema of Walter Murch

Himself

Vivien’s Wild Ride

Vivien’s Wild Ride

Himself

Bald: The Making of 'THX 1138'

Bald: The Making of 'THX 1138'

Self

The Godfather: When the Shooting Stopped

The Godfather: When the Shooting Stopped

Self

Remembering Return to Oz

Remembering Return to Oz

Self

Emotional History: The Making of 'The Unbearable Lightness of Being'

Emotional History: The Making of 'The Unbearable Lightness of Being'

Self

The Cinema Within

The Cinema Within

Murch: Walter Murch on Editing

Murch: Walter Murch on Editing

Himself

Don't Expect Too Much

Don't Expect Too Much

Himself

No Poster

Master Sessions with Walter Murch

Self