Lothar Lambert

Lothar Lambert

Directing

Born: 1944-06-24 in Rudolstadt, Germany

Biography

No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.

Known For

Polizeiruf 110

Polizeiruf 110

The Nightmare Woman

The Nightmare Woman

Blonde to the Bone

Blonde to the Bone

Nachbar

Fucking City

Fucking City

Kurt

A Fairy for Dessert

A Fairy for Dessert

Julchen

No Poster

Wolfgirl

Kurtchen "Marilyn"

A Touch of Longing: His Fight

A Touch of Longing: His Fight

1 Berlin-Harlem

1 Berlin-Harlem

Kismet Kismet

Kismet Kismet

From Here to Vanity

From Here to Vanity

You Elvis, Me Monroe

You Elvis, Me Monroe

Late Show

Late Show

Utopia

Utopia

Now or Never

Now or Never

Love/Hate Lola

Love/Hate Lola

Lola

Carl Andersens Underground der Liebe

Carl Andersens Underground der Liebe

himself

Lost and Found in Underground: Lothar Lambert's Psycho City

Lost and Found in Underground: Lothar Lambert's Psycho City

Self

Dirty Daughters oder Die Hure und der Hurensohn

Dirty Daughters oder Die Hure und der Hurensohn

Betty